A Critical Literary Lens influences how you look at a work. One way to think about critical lenses is the concept of putting on a pair of glasses; the glasses affect how you view your surroundings. The lens you choose is essentially a new way to focus on the work and is a great tool for analyzing works from different viewpoints. There are many approaches, but here are five common ones.
A formalist critic examines the form of the work as a whole; how each individual part of the text (the individual scenes and chapters), the characters, the settings, the tone, the point of view, the diction, and all other elements of the text join together to make it a single text.
After analyzing each part, the critic then describes how they work together to give meaning (theme) to the text. This approach examines a text as a self-contained object; it does not, therefore, concern itself with biographical information about the author, historical events outside of the story, or literary allusions, mythological patterns, or psychoanalytical traits of the characters.
Questions to ask:
How is the work’s structure unified? How is the way a story or novel is put together influence the way we read it?
How do various elements of the work reinforce its meaning?
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A Historical lens analyzes a work in its historical context. This lens seeks to understand the time period, social and political context of the time, and how the events of the time affect the author and the characters of the text.
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This lens xamines how gender roles and/or sexuality are characterized in the work. This approach is not limited to issues involving women.
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Based originally on the theories of Freud, the psychological lens looks at how a character's behaviors are influenced by their unconscious thoughts and fears. When using this criticism focus on the subconscious and how it affects and influences the conscious mind. Often, this theory is applied to the author and what the text is telling us about their psychology; however, it can be applied to characters as well.
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